10/24/2016 · Jazz flute players seem to fall into two categories, the mostly legato (much like a saxophone), and the heavily articulated (much like a trumpet). Listen to the greats of both saxophone and trumpet. Compare them to flutists you like. It’s very important that …
3/22/2011 · Flute Focus columnist Jim Langabeer shows how you can easily create your own jazz piece from as simple a thing as saying your own name.
8/24/2012 · There is a jazz flute renaissance going on. More flute players are performing and recording jazz and a lot of flute players would like to learn how improve their jazz playing. I want this forum to be a place where we can ask questions and offer suggestions.
6/17/2013 · In this video, Dr. David Klee will get you started with learning how to improvise from a beginner's standpoint. After watching this video, you should have a better understanding of chords and ...
JAZZ ARTICULATION by Jim Walker Perhaps one of the most difficult aspects of learning to improvise convincingly is the area articulation (especially on the flute). Most classically trained flutists are taught to use the syllable of "ta" or "tah" to start notes. This occurs when there is either: 1. No articulation 2. Accent or 3. Staccato (dot).
Finally, it is probably very difficult to learn to improvise "music" per se. Knowledge about music does not necessarily generalise very well, and being knowledgeable as a musician is more about being knowledgeable about a large number of individual tunes, patterns and idioms.
Learn the Basics!. By Jamey Aebersold. Book & 2 CDs. For all instrumentalists and vocalists. Great primer for learning basic skills in major and minor keys. Advanced players will want to work on "double-timing," playing "outside," and "side-slipping" in all keys at comfortable tempos. The CDs contain 30 extended tracks of recorded background.
How do I learn blues phrases? You learn to “speak blues” in the same way you first learn to get by in any new language - by copying and memorizing useful phrases. Every great blues guitarist first learned to play by copying, whether from one main influence or a wide assortment, and used that as the foundation for their own style.
Just For Beginners - Jazz Improvisation for Beginners: Part One David Wilken. Download a PDF of this article: So you want to learn how to improvise jazz. "Where do I begin?" you might ask. You have worked hard to learn to read music, now how do you make it up on the spot?
12/10/2013 · To begin learning how to improvise you do NOT need to know the infamous and highly overused "blues scale". In fact, to get started you don't need to know ANY scales or chords or songs. All you need is your instrument, a simple play-along track (or your personal on-call rhythm section) and a willingness to jump in.
There is a jazz flute renaissance going on. More flute players are performing and recording jazz and a lot of flute players would like to learn how improve their jazz playing. I want this forum to be a place where we can ask questions and offer suggestions.
This book is intended for the flute player who already knows a good deal about how to read music but would like to explore a new route of expression through the nature of improvisation in jazz music. Through this book you will be exposed to the pioneers of jazz flute and how they approach jazz improvisation.
learn how to practice like a pro! It is a no nonsense course, where I focus on the pure essence of jazz improvisation that will give you an immediate result. Once followed through, you will have a specific set of tools to improve your jazz vocabulary, melodies, phrasing and understanding where you are in the form and how can you improve your lines.
Bill McBirnie is a jazz and Latin flute specialist located in Toronto. He has been chosen Flutist of the Year by the Jazz Report Awards, nominated as Instrumentalist of the Year at the National Jazz Awards and declared a winner of both the USA National Flute Association’s Jazz Flute Masterclass and Jazz Flute Big Band Competitions.
For the purposes of this article let me divide woodwind doublers into two groups. The first is made up of those players who are "pure jazzers" and have no interest in playing commercial or "legit" music. The second group is made up of those players who want to play jazz but also want to do commercial work.
The worldwide leader in jazz improvisation educational materials for over 50 years! Jamey Aebersold Jazz® does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturer's specifications, or grammatical inaccuracies in any product included in the Jamey Aebersold Jazz® catalog or website.